Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Tuesday, May 23, 2017

TWIC: adverbs,stone work,maps

I have read many advice columns on writing; I suspect I have spent more time doing that than actually writing. That aside, one common piece of advice was to limit the amount of adverbs you use. Instead of "Ran quickly", say "Raced" or "sprinted". As I see it, the advice suggests adverbs are an oral device to fix a wrong word after the fact. You can't unsay something but you can modify it. You can however delete a word and replace it.
Is there any evidence or measurable reason to avoid adverbs? There is at least some research on who uses more and fewer adverbs. From Nabokov's favorite word is mauve, Tyler Cowan offers ly-adverb usage per ten thousand words:
Hemingway: 80
Twain: 81
Melville: 126
Austen: 128
J.K. Rowling: 140
E L James: 155
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In carving stone, you measure many, many times and cut carefully!

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Google Maps the best open-secret writing tool.
While writing and researching, I desperately wanted to visit Liverpool. To wander its streets. View its architecture. Feel its history. But what was a working mom of four kiddos in Texas supposed to do?
Enter Google Maps. The best writing tool that no one knows about. Well, of course, you know about Google Maps. But do you use it in your writing?
As a real estate agent, I used Google Maps all the time. For directions. For a sneak peek at a neighborhood. To see if a pool at a prospective house took up all of the yard when my client still wanted green space.
But as a writer? I had never heard of authors using it. And yet, it became the very best tool in my kit.

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Saturday, September 17, 2016

TWIC: civilizations, maps, teaching, archived children's books, paradox

Guy Gaveriel Kay is a Canadian author who fist achieved success with his Fionavar fantasy series, an adult cross of Lion, Witch and Wardrobe with Middle Earth. I liked them as a young adult but I am uncertain if I would now. I am afraid to find out how my taste in books might have changed.
Here is a 17 minute interview with him where he discusses civilizations on the edge.
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Here is a playlist of twenty videos on how to draw fantasy maps. The videos range from eight minutes to over an hour in length with most of them around fifteen minutes.
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Nanowrimo has a series of 'plot doctoring' advice articles. The first one I became aware of is #9, building a strong plot.


The article explains these essential scenes in the image (which has been cropped. if you want to see the cut out three scenes in the bottom third, follow the link).
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As an educator and would-be creative-ist, I have read much of what Sir Ken Robinson has to say.  This post is about outdoor education rather than his more typical public fair about creativity but I still like it and want to spread the word. Again, I have trouble connecting this with my blog's theme, but it is worth noting:
He lists five reasons why taking learning outdoors is a good idea:
Nature is a powerful resource.
Children can learn through practical hands-on activities.
You can tap into children's curiosity.
It is a social experience and children learn from working together.Learning outdoors is fun.
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Another one for educators more than of a purely creative article: Ten tips to use Powerpoint better. Here is part of number seven:
What does it do?
This feature allows you to remove the background of images.
How does it work?
There is a lot of information about how background removal works. Try thistutorial from MrRoughton.com or this tutorial from ellenfinkelstein.com.
Select your image and go to the format ribbon.
Click on the remove background icon on the left-hand side of the ribbon.
Parts of the image will now be highlighted in purple.
Resize the shape of the box to the edge of the image.
Click on mark areas to keep and your cursor will turn into a pen. Click on image to create a point or draw a line for areas to keep.
Click on mark areas to remove and your cursor will turn into pen. Click on image to create a point or draw a line for areas to remove.
Click on keep changes and anything in purple will disappear.
Note: Click on reset image on the format ribbon in order to restore the background.
How can I use this as a teacher?
This feature is ideal for creating for collages, posters and general graphic design in PowerPoint.
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6000 children's books are now archived at this site online.
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I have thought of residencies for artists as ways to recreate the historic patronage system.  A wealthy person or group funds the work of an artist. Wikipedia tells me I have it mostly right:
Artist-in-residence programs and other residency opportunities exist to invite artists, academicians, curators, and all manner of creative people for a time and space away from their usual environment and obligations. They provide a time of reflection, research, presentation and/or production. They also allow an individual to explore his/her practice within another community; meeting new people, using new materials, experiencing life in a new location. Art residencies emphasize the importance of meaningful and multi-layered cultural exchange and immersion into another culture.
I bring this up because one writer is getting extra time to work on her project and has only one distraction, but it is a big one! From the Vancouver Sun:
Rebecca Moss is the British artist stranded on the Hanjin Geneva owned by the Hanjin shipping line that filed for receivership Wednesday. She was on board as part of the 23 Days at Sea Residency organized by Access Gallery in Vancouver.
The Hanjin Geneva is now somewhere off the coast of Japan near Tokyo. It cannot dock because ports around the world have barred Hanjin ships over concerns that include the payment of port and service fees.
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How has the news about the bankruptcy changed any routine you might have had on the Hanjin Geneva?
Before the news, there was always a feeling that we were moving in a line toward a horizon, and there was a real sense of purpose. This was reflected in the way I approached my day — I had knowledge that I had a certain number of days left and I was trying to plan to execute my ideas accordingly.
However, now it feels more like we are a slowly drifting island, a feeling that I am sure will intensify when we actually drop anchor. I have found myself wandering more and feeling more in the present — taking each moment as it comes and not knowing when the end will be.
Via Boingboing
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The idea of a residency still interests me. Here is a list of 26 such residencies from last year. I think all or most of those in the US. This list from Aerogrammestudio is more international.
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Struggling to write does not mean you are not a writer.
Honestly, I’m nervous that I can’t live up to the promise “writer” seems to convey. Writing doesn’t come easily for me. There are times it flows, but sometimes it feels like trying to wade through sinking sand.
Like so many others, I fall into thinking that putting words on paper always comes effortlessly to a certain segment of people, who therefore deserve the title of “writer.” If you struggle to get your meaning across in the written form, the thinking goes, you must not really be a “writer.”
But if that were true, who among us would be worthy of the title? Sure, words come more easily to some people than others, but natural wordsmiths still have to work hard to master their craft. And even the most seasoned writer knows the feeling of agonizing over a sentence or deleting two-hours-worth of dull paragraphs in frustration.
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At Quora is a thread with lists of places that will pay you to write.
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The author of Pride & Prejudice & Zombies is being sued because his work is not creative enough.
In the complaint, the publisher claims that Grahame-Smith’s latest manuscript was not original enough and pulls too much content from the original public domain work.
I enjoyed P&P&Z and Abraham Lincoln, Vampire Hunter, but I can't say how original the former work is.  I am one of those philistines who hasn't read the original.
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Thursday, May 19, 2016

TWIC: 2 types of writers, the internet for musicians, sci-am art, and Herzog's film-making class,

2 types of writers

Macro Planners:
A Macro Planner makes notes, organizes material, configures a plot and creates a structure — all before he writes the title page. This structural security gives him a great deal of freedom of movement. It’s not uncommon for Macro Planners to start writing their novels in the middle. As they progress, forward or backward, their difficulties multiply with their choices.
Micro-managers
Smith professes to being a Micro Manager herself:

I start at the first sentence of a novel and I finish at the last. It would never occur to me to choose among three different endings because I haven’t the slightest idea of the ending until I get to it, a fact that will surprise no one who has read my novels.
She sounds from this brief excerpt to be, in Nano parlance, a pantser.
She also describes a disorder:
obsessive perspective disorder, or OPD — “a kind of existential drama” that unfolds over the course of the novel’s first twenty pages, possessing the writer to compulsively attempt answering the question of what kind of novel is being written. And yet, Smith marvels, despite how disorienting OPD is, it isn’t paralyzing — the writing continues throughout this straining state. In that regard, OPD appears to be, rather assuringly, mere garden-variety anxiety — the same psychic malady that tormented Darwin as he was producing his most influential work, the very state Kierkegaard believed powers creative work rather than hindering it, which psychologists have also found to be the crux of the link between creativity and mental illness. Smith writes:
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Daryl Hall defends the internet as a creative place.
You have an instantly recognizable name, and millions of people all over the world are familiar with your music. If you want to start an internet show, you have that advantage. A young artist, as you said, is just floundering. What is that you would do if you were in that position? Do you give advice to the young artists you have on your show?
Well, it is hard for me to give them advice, because they don’t have any help. My show is exposure for them, but yes, I have a name. So, I can do it. Now, if I was the head of Atlantic Records, and not to single them out, I would start an internet show, and I would pair my young artists with my older artists for every broadcast. They have a big enough name. They’re as big as me.
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Visualizing the mammals that preyed on dinosaurs. Scientific American Artist, James Gurney offers this video detailing how he painted a badger-like mammal that ate baby dinosaurs.

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Werner Herzog's online film-making class  Runs this summer..


Tuesday, May 3, 2016

Explore Bosch's Garden

Explore the Garden of Earthly Delights by Heronimus (or Jheronimus) Bosch.

I took the tour, where 15 parts of the painting were discussed, and also wandered around.

Besides the exploration of the art historical story of the painting we will give insight to the creative process of Jheronimus Bosch. In a web interface the visitor will be taken on an audio-visual journey, including sound, music, video and images to enrich the storytelling. The visitor of the interactive documentary will get a better understanding of what it was like to live in the Late Middle Ages, and for example of what importance religion was in daily life. The interactive documentary can be read like a book, one can come back after a visit and pick up the book again from the shelf to further explore.
Fascinating.
The background sounds change depending on where in the painting you are.
I could spend hours here, I think. The original painting was more than 2 by 3 metres and the small details are endless.


I wonder what kind of tree is displayed on the left. (Ah.  There was a clickable place that told me it is a 'Dragon Tree' and quite real although Bosch would never have seen one.) The birds in the painting are entirely recognizable, even if the mer-knight on the flying fish is probably not from life.
Wikipedia on the painting. Wikipedia on Bosch.


Sunday, December 27, 2015

TYIC: eclectic dump of links that barely relate to creativity research

This Year in Creativity: I normally do a This Week... feature but this post was so long, I felt it needed a broader title.

The fantasy I typically read is based on European mythology.  I have lived in South Korea for more than a decade so so I also read fantasy with Asian themes.  Can or does science fiction have a similar regional flavour?  Gord Sellar wrote a short story about the effects of climate change on African protagonists that showed to me it can. I think the story is Dhuluma No More. And an interview with Sellar that I now want to read.  Boingboing has a link to ten of the best African fantasy and Sci Fi stories.
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Mnemonics is a crossover subject for me: it fits here in creative expression and also as something useful for my teaching career.  Here are two links from Boingboing: memorizing a deck of playing cards and how a pissing wolf can help your memory.  As a layperson in mnemonics, I gotta say you need to put a whole lot of work into the basics of the craft before it all becomes useful.
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How have bicycles changed?  What will a future bike look like?  Kottke has an answer to the first question.
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Science fiction authors Randy Rucker and Bruce Sterling discuss their work.
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Guidelines for design of London Tube Stations.
1. Achieve balance across the network.

2. Look beyond the Bostwick gates.  
3. Consider wholeness.

4. Prioritise comfort for staff and customers.

5. Delight and surprise. Every Underground station should include at least one moment of delight and surprise, to improve customers' journeys and the working environment for staff. Such moments help put the network on the map, as a world-class leader of design. 
6. Use materials to create atmosphere.

7. Create ambience with lighting.  
8. Integrate products and services.

9. Prepare for the future.
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How should we work in the future?  Industrial jobs are vanishing.  Flex time is increasing as is tele-commuting. What should the new dogmas be?
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I mentioned Sellar earlier. He has a discussion on gamifying education.
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Giving up a technology.  What would you give up?  Almost entirely unrelated, I wonder about giving up technologically obsolete phrases.  We should find new phrases for "Roll up/down a car's window" and "Rewind" when discussing digital video, "hang up" when ending a phone call...
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A review of ways to Go gradeless in a traditionally graded school:
How does she [Starr Sackstein] and each of her students negotiate the final grade for the course?
How does she resolve any differences in opinion between her and a student when negotiating the final grade for the course?
Are individual assignments, products, projects, etc. negotiated as well? Do they receive a grade for each of these or just a final grade at the end of the course?
Is she really going gradeless if students are giving themselves a grade?
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Computer generated novels. At least one of the 'novels' is a computer generated list of pixel colours on the cover of an edition of "The Sun Also Rises". ""Brass. Brass. Brass. Brass. Brass. Brass. Brass. Brass. Brass. Drab. Drab. University of California Gold. Brass. Brass. Dark tan. Dark tan. Dark tan. Brass. Raw umber. Raw umber. Coffee. Dark brown. Olive Drab #7."

Another story consists of parts of D&D adventure templates.
The Dragon of Nuria
A generated gamebook.
By Mark Rickerby for NaNoGenMo2015.
Prologue
Throughout your journey in these lands, you’ve heard subtle tales of a spreading shadow that grow more and more threatening as you get closer to the village of Nuria.
The stories tell of Ir, a horrifying green dragon whose foul magic is spreading throughout the air and water and poisoning the countryside. The villagers beseech you to help fight this menace before the darkness takes its toll.
Somewhere near Nuria is the entrance to Ir’s dungeon. Others have found riches in treasure there, though many are never seen again.
To search for the entrance and ENTER the dungeon, turn to §1.
§1
You step into a shrine. There is a monster here: GHOUL (STRENGTH: 10, STAMINA: 12). You must FIGHT. You gain initiative. You find a bag of exquisite diamonds here. If you defeat the monster, you can take the treasure.
To go SOUTH turn to §2
To go EAST turn to §17
§2
You step into a wrecked armory. You find a bag of precious emeralds here.
To go NORTH turn to §1
To go SOUTH turn to §3
To go EAST turn to §18
The rules of the computer generated novel contest require posted the code, so others with similar skills can see how you did it. Look here for Dragon of Nuria.
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Cory Doctorow on Neil Gaiman's speech on how to maintain long-haul creativity.
It's easy to be creative in short bursts, but sustained (and sustainable) creative endeavor is hard and often tedious, and requires a bunch of habits that are damned hard to get into and easy to slip out of. In my own writing life, the transition from someone who could only write under inspiration to someone who wrote even when having "writers' block" (which just means that you don't like the words you're writing, and the answer is to write them anyway) was the most important thing that ever happened to me, professionally speaking.
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I cannot get this drum machine to work.  Help, anyone?
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I think it is a problem for a person to write on a subject they don't know well.  On the other hand, I have written a novel set in Nepal and another set in Italy.  I did spend a few weeks in Nepal but none in Italy. Anyway, I would like to set a story in historic Central America so this Sci Am article is interesting.  It is even interesting if I don't write such a story.
Archaeologists believe the elite sent their fine merchandise with a “middle-man”, in order to do business with the people. “If Cerén’s citizens believed the objects were too expensive, [the merchants] were not compelled to stay, and were free to take their merchandise to the next market, to try and get a better deal,” Gallardo says.
The information found at Cerén contradicts the hypothesis that the Mayan elites controlled every single aspect of society, including the economy, politics, religion, arts and sciences, during the Classic Period, which is considered one of the most productive stages of the Pre-Hispanic Era, between 250 and 900 AD.
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The shed where Andy Rooney wrote.
I spent some time in Rensselaerville, New York, this fall, where Andy Rooney used to pass his summers. Not far from his home, he had a five-sided shed in which he did his writing. It had an AC unit stuck to the side of it and triangle-shaped windows on its roof. He called it the Pentagon.
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Conductive ink spread with a standard ballpoint pen.
The ink, made of silver salt and adhesive rubber, sticks to various surfaces, and the resulting circuits stay conductive despite repeated bending. If the wiring breaks, retracing the lines would fix it. “It’s a very simple method to make hand-drawn stretchable circuits,” says Jun Yang, a professor of mechanical and materials engineering at the University of Western Ontario. “You can easily make wearable electronics,” he says. “Just hand draw a circuit to make a personalized T-shirt.”
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Help learn about Shakespeare's time by transcribing period writings.
Citizen scientists can learn about the period by transcribing letters and ‘receipt’ (recipe) books in the first phase of the project. Later project organizers will add miscellanies, family papers, legal and literary documents. Along the way volunteers will find words that have yet to be recorded in—and will eventually be added to—the authoritative Oxford English Dictionary.
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npr: Jane Golden: Making Art with each other, for each other. Autoplay audio.
public art: statues, murals, even graffiti
public art is not a thrill nor an extravagance

Tuesday, October 13, 2015

Almost too late: Saha Gu's Sea Art exhibit closes this Sunday.

On the Dadaepo beach of Saha district in Busan, is the Sea Art Exhibit.  It started in Sept and closes this Sunday.  The dog and I had a lot of fun at it in today's beautiful weather.

The exhibits all featured some connection to the ocean, waves and things moving and temporary.

One exhibit was a pair of photos taken in Ontario, Canada.  One was taken in Fairy Lake, Huntsville near my home town and the lake I last did a polar bear swim in.

One artist, Yoko Ono, had a paper wish tree.  My photo:

Two more that I liked:



The dog loved running on the open beach.





Tuesday, September 29, 2015

TWIC: How I should be titling my posts...

Wordpress and a few other sites run a 'better blogging' article every few months.  I do hope that others read this blog and get something useful from it, but it mostly seems a storehouse for things I find interesting.  SEO isn't that interesting to me and I don't make money from this blog.  Still it is number four on this list, Number five: use at least one image for each post, is one I really need to remember.
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Another recurring them is 'routines of famous creative people'.  Here is an example from Business Insider.
A.J. Jacobs: “Force yourself to generate dozens of ideas.”
In an interview for the series How I Write, Jacobs talks about his daily writing routines and dishes out some advice for young writers …
My kids wake me up. I have coffee. I make my kids breakfast, take them to school, then come home and try to write. I fail at that until I force myself to turn off my Internet access so I can get a little shelter from the information storm.
I am a big fan of outlining. I write an outline. Then a slightly more detailed outline. Then another with even more detail. Sentences form, punctuation is added, and eventually it all turns into a book.
I write while walking on a treadmill. I started this practice when I was working on Drop Dead Healthy, and read all these studies about the dangers of the sedentary life. Sitting is alarmingly bad for you. One doctor told me that “sitting is the new smoking.” So I bought a treadmill and put my computer on top of it. It took me about 1,200 miles to write my book. I kind of love it — it keeps me awake, for one thing.
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Ani Alexander interviewed Gabriela Pereira.  I think both are writers.  I've kept the tab open for a while so I guess I think it's important.  You know what? This cold that I have that is sucking all my energy away from me is kinda important right now.  If I felt better, maybe I wouldn't be snarky about this:
Quote 1: There are no accidents in writing.
Quote 2: Every word should be in your writing for a reason.
Is it the virus talking or do these kinda contradict each other? Pereira has a book out next spring called DIY MFA.
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The Washington Post discusses why America's obsession with STEM is dangerous.
If Americans are united in any conviction these days, it is that we urgently need to shift the country’s education toward the teaching of specific, technical skills. ... and about new initiatives from companies, universities or foundations to expand STEM courses (science, technology, engineering and math) and deemphasize the humanities.
I think Fareed Zakaria has started with some confusion. Engineering definitely fits the description of "specific technical skills" but Science and Math do not. The big difference is that the latter two are ways of looking at the world and fit this description (intended for liberal arts): " A broad general education helps foster critical thinking and creativity. Exposure to a variety of fields produces synergy and cross fertilization." He also describes 'design' as outside of STEM.  I don't understand why he thinks this.

What the Hell does this mean?
One final reason to value a liberal education lies in its roots. For most of human history, all education was skills-based. Hunters, farmers and warriors taught their young to hunt, farm and fight. But about 2,500 years ago, that changed in Greece, which began to experiment with a new form of government: democracy.
Science people can't understand democracy?  I would say scientific training is what allows people to test political claims and improves democracy.
As Mihaly Csikszentmihalyi found, science enriches art but art doesn't empower science.

I think Zakaria has a point about Engineering and over specialization in education. The majors at my university are ridiculously specific and I wonder what will happen to the students in my Bodyguard class - seriously, that's an actual major my university offers.
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The CBC short story Prize is available to be won.  Entries are due by Nov 1.  You might have to be Canadian.  I'm using my sick-card to justify not having read the information at the link.
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Misbehavior In School Pays Off For Some Students. I don't know if this relates to creativity at all but it might.  Certainly, previous research on teachers showed the most creative ones typically made trouble.
when we recognize that misbehavior in the classroom can be reflective of two very different non-cognitive skills—externalizing and internalizing behaviors—a much more nuanced story emerges. Both of these characteristics are associated with lower schooling attainment. However, whereas internalizing behaviors, like being unforthcoming, depressive or withdrawn, predict lower earnings, externalizing behaviors, such as aggression, predict higher earnings. In other words, the externalizing factor lowers schooling attainment, but appears to have value in the labor market. This finding calls into question the role of schooling in identifying and cultivating skills that are productive.
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David Malki retweeted something from Farooq Butt that I like.  I hope the embedding works.

Monday, August 24, 2015

Salvador Dali and Scientific American and some sad sad-puppies.

I'd love to know know more about why Dali loved duplicity and illusion but Sci Am only offers a teaser.  Maybe my university library has a copy of the magazine.  I did learn though that Dali read Sci Am and one of his paintings has an homage to an article from the magazine.  The article described how little information is needed for our brains to interpret faces. A portrait of Abraham Lincoln was used; it was divided into 16 X 16 squares and each square was 'color averaged' so as to be a block of solid color. The result is not as flowing as a Dali painting but similarly surreal.

Ah, what do I know about Dali?  He painted 'persistence of memory' and lots of spider-legged elephants and lots of weirdly placed boobs.  These works adorned many university students' dorm wall - including my own.  He had an aardvark or anteater as a pet.  He had a cool mustache. Yeah, I know more about his style than his work - and not that much about his style.

I do like butterflies and sailboats though (from):


The Khan academy is here to teach me about some of Dali's work (6:27 for Persistence Of Memory).
"He was the first person to essentially do dreamscapes and, as you mentioned, attack on the rational."
"I think this is that moment when all those safe ideas about objectivity are being blown out of the water."
 Metamorphosis of Narcissus (4:08)
Dr Zucker:"Paranoiac-critical activity...they loved the fact that it was scary and dangerous"
Dr Harris"Something more authentic, that lacked the control of the conscious mind. Dr Zucker: "For them, that was the engine of creativity."
Zucker: "He [Dali] wants the perfection of the academic style to render the inspiration of the unconscious"
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And now for something completely different. The Hugo awards.  The politics of this years nominees is a mess with different groups trying to vote as blocs on various slates of contestants.  Below is a tiny taste of an explainer.  Hunt around if you want more.

The leader of one such group, the Sad Puppies, is Brad Torgerson.  Here is what he is concerned about:
“A few decades ago, if you saw a lovely spaceship on a book cover, with a gorgeous planet in the background, you could be pretty sure you were going to get a rousing space adventure featuring starships and distant, amazing worlds. If you saw a barbarian swinging an axe? You were going to get a rousing fantasy epic with broad-chested heroes who slay monsters, and run off with beautiful women.
[Now,] the book has a spaceship on the cover, but is it really going to be a story about space exploration and pioneering derring-do? Or is the story merely about racial prejudice and exploitation?... A planet, framed by a galactic backdrop: Could it be an actual bona fide space opera? Heroes and princesses and laser blasters? No, wait. It’s about sexism and the oppression of women. Finally, a book with a painting of a person wearing a mechanized suit of armor! Holding a rifle! War story ahoy! Nope, wait. It’s actually about gay and transgender issues.”
 Yes, he is concerned that he will not be able to judge a book by its cover. He is also the lesser jerk in the story.  The awards have been given out and the Sad Puppies and the Rabid Puppies didn't do well.  Boingboing and Nielson Hayden have details with the latter offering this pdf of the winners.

Saturday, July 25, 2015

Paley at the Creationism Museum

Not William Paley who might have approved, but Nina Paley, who did not.  Ah, that's too harsh.  She very much approved of the craftsmanship:
Paley is very open minded about sharing content and I have already included a link, but let me point out that the image below has been shrunk.  To see it full size, follow the link.
"Like the rest of the Creation Museum, this quilt was good looking and well made. That the content is batshit makes you appreciate the craftsmanship all the more."

In her post, she frequently describes the workers are professionals who work for money and have likely made similarly weird and historically inaccurate stuff for Vegas.  A fair point.

As my reader knows, I also blog about creationism/ evolution and don't want to cross contaminate the two blogs.  I may write more about Paley's visit but at creationevolutionbusan.blogspot.com

Friday, May 8, 2015

Surviving Creativity

I just found a podcast called Surviving Creativity and it seems to be about the process and business of creative endeavour.  The pod I listened to was an interview with Fantasy Author Sam Sykes.
Scott Kurtz, Brad Guigar, & Cory Casoni are in the comics biz and the focus of their Podcast is creativity in the New Media.
A lot of the pod was about recent controversy in Fantasy and Science Fiction's Hugo Awards.  Sykes did a great job of explaining the controversy without once revealing bias.  It seems that everyone in F&SF wants a taxidermied dead cat.  If they don't, Asimov will beat them with an oar.
The Pdocast has a twitter account and a Facebook page.  They have a Patreon page but don't seem to have a show notes or dedicated site.

The group had this to say about keeping or quitting your day job (I've put this in quotes but it is all paraphrased - I listened to the pod while driving and jogging):
Dads will always tell you to have a Plan B.  Experienced artists will tell you to never have a Plan B.
Dads have seen you fail so many times - you fell the first time you tried to walk, to ride a bike....  They want you to have a Plan B.
If you have a good Plan B, you will choose it over creative work.
Sykes had this to say about writing:
Work a little every day and you will get better.
On beating writer's block: try to have two or three active points in writing your story.  When you can't figure out how the action will progress at time A, move to time or place B and work through that.
I have only listened to one podcast but will be correcting that error quickly.  Good stuff.

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It seems 'surviving creativity' is a bit of a meme. Cody Daigle-Orians has a workshop on the subject.  Scott Berkun has a long running series on how to avoid creative burnout.  Here are a few excerpts.

Survival tactics
Plan an escape. Take a day off and do the most dramatically easy but fun thing you can think of. Go see a matinee downtown, have a fantastic lunch, shop, browse, and walk. Be as indulgent as you can stand, and drag as many of your friends along with you. (Offer to return the favor with them when they’re burnt out.). Use a vacation day, or a sick day (Isn’t burnout a form of poor mental health?)
Laugh. Whatever it is you find funny, bring more of it into your life. Whether it’s certain people, films, tv shows, plays, books. Choose to laugh.
Beginning again


Break things into smaller pieces. What are the smallest meaningful pieces to work with? Work on a page. Can’t do a page? Work on a paragraph. Get down the smallest bit you feel you can manage, but do it. Like Guthrie said, take it easy, but take it. After you do one piece, find the strength to do the next one. If you can’t, go for a walk, call a friend, but then come back and try again. And on and on. One small piece at a time. If you’re lucky, once you’ve got a few pieces done, you’ll hit your stride and it won’t seem so bad. If not, just slug it out. At least you’ll be able to say tomorrow you did something today.
Look at the worst pieces of work you know of. The worst writing. The worst painting. The worst web design. Worst whatever. Do you feel anything when you look at the crap? Does it annoy you? Make you angry? Is there still a response there at all? Some energy somewhere in your gut? Can you redirect it?

Sunday, March 29, 2015

Casting call woes and running elephants


And more at Casting Call Woes.

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I have carved a few elephants from wood and one in a golf ball core.  I want to make one that is more dynamic in appearance as my typical work, in all the animals I have carved, has been still - four feet on the ground, trunk curled almost to the ground.  Whatever my next project is, I want it to be in motion.

And that's completely off topic.

The CBC has an interview with David Usher, author of Let the Elephants Run, a book on creativity.  The key concept is to let your big idea grow and try to find life for them.

Tuesday, February 10, 2015

gotta pay the bills

I think I read a book or short story or two by Andrew Offutt. To be clear, I am not talking about any of the hundreds of pornographic novels he wrote.  The link is to an article by his son who was tasked with cleaning out his dad's office after he died.  It includes details on how he worked.  The website has some kind of block on copying so below is a screenshot (click to enlarge):

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I really enjoy Grant Snider's comics and posters.  Maybe I'll buy one or two for my birthday this year.  I am held back mostly by the lack of space to hang them -my walls are concrete, as is normal in Korea and they sweat enough that tape does not stick and driving a nail in is challenging and permanent. A recent poster, about problems with words, is great.  Here is a small clipping.
Read the rest at the link above.

On Twitter, he says:

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Kim Young Ha says you should celebrate your child's first lie as it is a an act of creative generation.

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Some more advice from Canada Writes on CBC.
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More on infographics at Scientific American (Sci Am first covered the subject in January).

If you're working on infographics, then you might be interested in some Venn Diagram apps and online resources. Here's one.  And another.

Wednesday, January 7, 2015

I guess Draw Muhammad Day has come early.

Seems like a day to share some old drawings of mine. Originally posted here (and around the time of Draw Muhammed Day and Camping's calculated end of the world day).

Also published earlier online but I can't recall where.
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Completely unrelated but it was in the post first, so I have left it in.


Thursday, December 25, 2014

TWIC: An overview, Drawing Nancy and making pliers

Creativity is messy.  This is a good overview of the science of creativity but I'm most impressed with the profanity - not often seen at Scientific American.


Ivan Brunetti was hired to draw Nancy long after the original artist had passed away.  At Boingboing, he describes the experience and what he learned.
I don't know where Woodring got this, but it does make you wonder what context could possibly fit.
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Make wooden pliers using only ten cuts to basswood. i wouldn't say they're all that functional, but they are that cool.
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Saturday, December 20, 2014

TWIC: Make your own boardgames, sexy interior decorators, cool knife makers

I work with some of my higher level ESL children's classes to make boardgames to use with lower level students.  My main contribution is to bring a lot of small Postit notes of a  variety of colours.  These can be used to make a here-to-there game (like Snake and Ladders) or collection game (like Monopoly) with squares in different colours depending on the actions required on them.
Rick Marizzani offers suggestions and equipment to make a broad variety of such games.
4 Blank notecards. There are even greater possibilities from a deck of blank cards.  You can make your own custom Top Trumps deck (Top Trumps is known in the US as “What is that card game school boys play in England again?”). Or create an entire new game using a framework like Dvorak.5 Overflowing handfuls of dice is a powerful feeling. Like being an ancient deity that can roll the fate of an entire civilization! That is why there are so many dice here. They put a firm stamp on the tool box as made for games. But dice are useful beyond randomizers.  All these different colored dice can be used as game markers, and the pips as indicators to the strength or health of the die unit.  Like DiceWars in the real world.6 Play money and coins. Nothing abstract about this faux moolah. It feels great to have a stack of cash in hand as a meter of game success. And, more than chips or play money, plastic gold coins are the gold standard of game currency.  Gold coins can spin a theme towards pirates or fantasy. They have a presence and heft beyond their plastic patina.7 Poker chips. These need not be proxies for money in a game.  They make great counters, turn markers, or modifiers for other board pieces.
...BONUS INGREDIENT: D20 Something that was not at the Dollar Store that I would add to the ideal game design box is a set of polyhedral D&D dice. There is something magical about the shapes and colors.  When first encountered they are understood, yet completely from another world. Consider putting a full set of D20 type polyhedra in your gift kit. 
Via Boingboing
Added only a few hours later:
 Boingboing also describes one bloggers challenge to find new tools, toys and equipment at dollar stores for Dungeons and Dragons.  The Boingboing link is from today but it links to a post from 2013.  Here are about ten posts on the original site (about ten because three are in one post - probably three trips to a dollar store).
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Boingboing also links to a site that teaches how to make video games.
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The Kingdom of Dreams and Madness
The Kingdom of Dreams and Madness is a documentary which presents a year in the life of Studio Ghibli and its famed director, Hayao Miyazaki. The year in question was a particularly interesting one during which Miyazaki announced his retirement. 
The trailer for this documentary is available at the link above
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Sci Am looks at how sexy various creative endeavors are:  Interior decoration, from the title, is not considered hot.  First: this is a topic for science?
According to evolutionary psychologist Geoffrey Miller,creative displays in humans are analogous to the peacock’s tail: they serve the function of attracting mates by serving as indicators of mental fitness (cognitive functioning and personality).
Extending this argument, personality psychologist Gregory Feist made a key distinction between applied/technologicaldisplays of creativity (seen in modern domains of technology, science, and engineering), andornamental/aesthetic displays of creativity (seen in modern domains of art, music, and other aesthetic domains). According to Feist, ornamental/aesthetic forms of creativity– which play on our evolved perceptual functions and evoke strong emotions in the perceiver– were shaped primarily by sexual selection pressures and are therefore more likely to receive a sexual response than applied/technological forms of creativity.
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At Kottke, a video of a knife maker and a link to watch axes and chisels being made.

The University of Guelph has a class on Japanese knife making, if anyone wants to learn.  Ah, that link is a little old - I thought the classes were a regular thing. YMMV.
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The real patron saint of Journalism.  Writings by George Orwell.
Sometimes, too, he shows himself adept at the why-oh-why column now a Daily Mail staple. Why is handwriting so awful these days? Why are so many foreign words supplanting perfectly good English terms?
He had a gift for the arresting opening line. To wit: “Rudyard Kipling was the only popular English writer of this century who was not at the same time a thoroughly bad writer.” Or this: “There is one way of avoiding thoughts, and that is to think too deeply.” 

Sunday, December 7, 2014

TWIC: Huronia, Ferguson, Alaska and beyond

Fellow Huronia creative Chrys Wiltshire recently offered two images (that was one, this is the other Larger size found at the link.).

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Here is what I know about Werner Herzog.  He's a cranky but brilliant film maker.  Maria Popova of Brain Pickings has reviewed his recent book. Review, Amazon link.  From the review:
The bad films have taught me most about filmmaking. Seek out the negative definition. Sit in front of a film and ask yourself, “Given the chance, is this how I would do it?” It’s a never-ending educational experience, a way of discovering in which direction you need to take your own work and ideas.
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I don't embed Tweets often.  This one was retweeted by .
Short Stories ExplainedMary Robinette KowalSaturday, January 24, 2015 from 12:00 PM to 4:00 PM (CST)
Ferguson, MO
Class requirementsAn interest in writing and a willingness to learn are all you need to participate in this class. Bring your preferred writing tools, whether that's a laptop computer, notepad and pen, or a typewriter. If you don't have anything handy, paper and pens will be available.
FAQWhy do I need to register if it's free?It tells us how many chairs to set up. But if you don't know until the last minute, that's okay.We can do fiction or non-fiction stories? Really? Yes, with one caveat.  This workshop is focused on stories, not journalism or articles. So if you want to tell a story that is based on real life, (narrative non-fiction) the tools are the same as those for things that are made up.
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In more personal news, I have bought Brick Flicks, a book on stop motion movie making with LEGO for my nephew for Christmas.  He's the 'Alaska' in the title of the blog post.  He saw this one I made for my students and was very excited with the idea.  Of course, now that I know such a book exists, I want it, too.


The C.B.T. is an English as a Second Language test my university students need to take.  Every year a few forget and it is so frustrating to total a student's scores and think, 'maximum of 80%.'

Friday, November 14, 2014

milk carton plastic bricks and more on writing

From Boingboing:
Peter Brown grinds up plastic jugs and bottle caps in a blender, then melts them into bricks. He uses the bricks as stock to turn on his lathe. I want to make one just to admire it.
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Also from Boingboing, Doctorow discusses story tellers in other media:
At least with stories, you know that if you tell a scary story, and it works, the audience will experience fear. But the emotional oomph of non-narrative art is much more mysterious, more of an art, really, and though it may be harder to systematize, when it gets in the groove, look out.
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The bad sex in fiction award. Is it just me of do all authors have to turn off the awareness that their mothers might read their work before writing sex scenes?

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Sci Am again on the connection between ADHD and creativity.
Of course, whether this is a positive thing or a negative thing depends on the context. The ability to control your attention is most certainly a valuable asset; difficulty inhibiting your inner mind can get in the way of paying attention to a boring classroom lecture or concentrating on a challenging problem. But the ability to keep your inner stream of fantasies, imagination, and daydreams on call can be immensely conducive to creativity. By automatically treating ADHD characteristics as a disability– as we so often do in an educational context– we are unnecessarily letting too many competent and creative kids fall through the cracks.

Tuesday, November 11, 2014

Cambridge and Waterloo area, Ontario

The 100 notebooks project

Hemingway, Da Vinci, Currie, just a few among many, recorded their thoughts, arts and day-to-day musings in notebooks providing insight into their creative minds. The 100 Notebook Project explores the power and potential of the notebook as a medium for capturing creativity. Our local community is full of inspiring and imaginative people who have their own unique perspectives to share. 100 creative people will be selected and given a notebook to fill with their own thoughts, art and day-to-day explorations. Each of the completed notebooks forms the basis of the 100 Notebook Project Exhibition, a community event to celebrate these unique, creative works. Afterwards, the collection will become a circulating library further sharing the power of the notebook with the public. 

My only concern is that they notebooks will not be authentic enough: whoever makes them might well do rough copies on loose leaf, then make a good copy in the book.
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Added a month later.  I like L'Engle's phrase "honest, unpublishable journal" and read in it support for my own criticism (from Brain Pickings).
“You want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you,” Madeleine L’Engle counseled in her advice to aspiring writers. W.H. Auden once described hisjournal as “a discipline for [his] laziness and lack of observation.”

Sunday, November 9, 2014

Success - driven by luck or not?

Love and integrity made Welcome to Nightvale a success.  Random chance ruled whether this man's creations were successful (video).
The contrasting viewpoints hinge on the criteria for success.  Darius Kazemi (the latter link) measured his by internet hits and links - he completed 72 projects last year and looked for patterns in which ones became successful - he didn't find any.

Jeffrey Cranor, of Nightvale, judged success by how satisfied he was and considers some of his projects, which drew 9 people to view them, as being equally successful to others that drew millions.
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It being Nanowrimo, an essential writing skill:
The answer is to step back, reverse the whole process, and start with the character arc. Jot down notes about those cool settings and scenes on a set of cards. What is the appeal of that setting to you – the emotional pull? This could give insights into the kind of character that would inhabit it. Then start working on the characters. Focus on one character only to begin with. This is your lead character. Forget the setting. What does the character NEED to develop, to grow? What is their journey?...Want proof? Go check out that show about the guy with the blue box. The stories aren’t really about his TARDIS or the neat places you can go in it. Are they?